Bogliste over zen æstetisk litteratur

Addiss, Stephen, The Art of Zen. Paintings and Calligraphy by Japanese Monks 1600-1925, New York: Harry N. Abrams, 1998.

Aitken, Robert, A Zen Wave. Bashō’s Haiku and Zen, New York: Weatherhill, 1978.

Akaboshi, Goro and Nakamaru, Heiichiro, Five Centuries of Korean Ceramics. Pottery and Porcelain of the Yi Dynasty, Translated by June Silla, New York, Tokyo and Kyoto: Weatherhill/Tankosha, 1975.

Benl, Oscar, ”Buddhism and the Poetic Ideal of Yūgen in Japanese Medieval Literature”, i”The Way” (Higashi Honganji Y. B. A. Los Angeles, Calif.), Vol. 3 No. 2, 1951, pp. 1-4.

Berthier, Francois, Reading Zen in the Rocks. The Japanese Dry Landscape Garden, Translated and Philosophical Essay by Graham Parkes, Chicago: The University of Chicago Press, 2000.

Bodart, Beatrice M., ”Tea and Counsel. The Political Role of Sen Rikyū”, i Monumenta Nipponica, Vol. 32 No. 1, 1977, pp. 49-74.

Brinker, Helmut, Zen in the Art of Painting, Transl. by George Campbell, London: Arkana, 1987.

Cort, Louise Allison, ”The Kizaemon Teabowl Reconsidered: The Making of a Masterpiece”, i Chanoyu Quarterly, No. 71, 1992, pp. 7-30.

Covell, Jon, Yamada, Sōbin, Zen at Daitokuji, Tokyo: Kodansha International, 1974.

Deutsch, Eliot, ”Studies in Comparative Aesthetics, Chapt 2: An Invitation to Contemplation: The Rock Garden of Ryōanji and the Concept of Yūgen”, i Monographs of the Society for Asian and Comparative Philosophy, Vol. 2, Honolulu: University of Hawaii, 1975, pp. 25-36.

Einarsen, John, Zen and Kyoto, Kyoto: Uniplan Co., 2004.

Farkas, Mary, ”Zen and Art”, i Zen Notes, Vol. 12 No. 4, 1965.

Fontain, Jan, Hickman, Money L., Zen Painting & Calligraphy, Boston: Museum of Fine Arts, 1970.

Haga, Kōshirō, ”The Wabi Aesthetic through the Ages”, i Nancy G. Hume (red.), Japanese Aesthetics and Culture. A Reader, Albany: State University of New York, 1995, pp. 245-278.

Hall, Edward T., The Dance of Life. The Other Dimension of Time, Garden City: Anchor Press, 1983.

Hammitzsch, Horst, Zen in the Art of the Tea Ceremony, Transl. by Peter Lemesurier, Tisbury: Element Books, 1979.

Herrigel, Gustie L. Zen in the Art of Flower Arrangement. An Introduction to the Spirit of the Japanese Art of Flower Arrangement with a Foreword by

Daisetz T. Suzuki, Transl. by R.F.C. Hull, London: Routledge & Kegan Paul, 1958.

Hirota, Dennis (red.), Wind in the Pines: Classic Writings of the Way of Tea as a Buddhist Path, Fremont: Asian Humanities Press, 1995.

Hirota, Dennis, ”The Practice of Tea 1. Heart’s Mastery: Kokoro no Fumi, the Letter of Murata Shuko to his Disciple Choin”, i Chanoyu Quarterly, No. 22, 1979, pp. 7-24.

Hirota, Dennis, ”The Practice of Tea 2. The Wabi Tea of Takeno Jōō. The letter on Wabi and Related Documents”, i Chanoyu Quarterly, No. 23, 1980, pp. 7-24.

Hirota, Dennis, ”The Practice of Tea 3. Memoranda of the Words of Rikyū. Nampōroku Book 1”, i Chanoyu Quarterly, No. 25, 1980, pp. 31-47.

Hirota, Dennis, ”The Practice of Tea 4. The One-page Testament Attributed to Rikyū”, i Chanoyu Quarterly, No. 33, 1983, pp. 41-52.

Hirota, Dennis, ”The Practice of Tea 5. The Zen Tea Record: A Statement of Chanoyu as Buddhist Practice”, i Chanoyu Quarterly, No. 54, 1988, pp. 32-59.

Hisamatsu, Sen’ichi, ”The Characteristic of Beauty in the Japanese Middle Ages”, i Acta Asiatica, Vol. 8, 1965, pp. 40-53.

Hisamatsu, Shin’ichi, ”On the Nature of the Sado Culture”, Transl. by Patrick Maegill James, i The Eastern Buddhist, New Series, Vol. 3 No. 2, 1970, pp. 9-19.

Hisamatsu, Shin’ichi, ”On Zen Art”, Transl. by Richard DeMartino, i The Eastern Buddhist, New Series, Vol. 1 No. 2, 1966, pp. 21-33.

Hisamatsu, Shin’ichi, ”The Significance of the Nampō Roku”, Transl. by Dennis Hirota, i Chanoyu Quarterly, No. 52, 1987, pp. 7-17.

Hisamatsu, Shin’ichi, ”The Way of Tea and Buddhism”, Transl. by Robert F. Rhodes, i Chanoyu Quarterly, No. 74, 1993, pp. 7-27.

Hisamatsu, Shin’ichi, Zen and the Fine Arts, Transl. by Gishin Tokiwa, Tokyo: Kodansha International, 1971.

Hoover, Thomas, Zen Culture, New York: Random House, 1977.

Houser, Preston L. / Mizuno Katsuhiko, Invitation to Tea Gardens. Kyoto’s Culture Enclosed, Kyoto: Mitsumura Suiko Shoin, 2004.

Hvass, Jens, ”Shisen-do Östliga Tomrum”, i Utblick Landskap, Nr. 3, side 21-25, 1988.

Hvass, Jens, Arbejdets Rum. To Japanske Case-studier, Ph.-D.-afhandling, København: Kunstakademiets Arkitektskole, 1998.

Hvass, Jens, Om Zen-æstetik. En introduktion til Shin’ichi Hisamatsus syv Zen-æstetiske karakteristika, København: Proces 14, Kunstakademiets Arkitektskole.

Hvass, Svend M., Ise. Japan’s Ise Shrines. Ancient yet New, København: Aristo, 1999.

Izutsu, Toshihiko and Toyo, ”Far Eastern Existentialism: Haiku and the Man of Wabi”, i Yearbook of Comparative Criticism, Vol. 6, (Joseph P. Strelka: The Personality of the Critic), 1973, pp. 40-69.

Izutsu, Toshihiko and Toyo, ”Poetry and Philosophy in Japan”, i Contemporary Philosophy, Vol. 4, 1971, pp. 523-548.

Izutsu, Toshiko and Toyo, The Theory of Beauty in the Classical Aesthetics of Japan, International Institute of Philosophy, The Hague: Martinus Nijhoff, 1981.

Kawakita, Michiaki, ”The World of Shibui”, i Japan Quarterly, pp. 33-42.

Keane, Mark P., Japanese Garden Design, photographs by Ōhashi Haruzō, drawings by the author, Tokyo: Tuttle Publishing, 1996.

Keene, Donald, Yoshimasa and the Silver Pavilion. The Creation of the Soul of Japan, New York: Columbia University Press, 2003.

Kobori, Nanrei Sōhaku, ”Zen and the Art of Tea”, i Chanoyu Quarterly, No. 55, 1988, pp. 7-12.

Koren, Leonard, Wabi-Sabi for Artists, Designers, Poets & Philosophers, Berkley: Stone Bridge Press, 1994.

Ludwig, Theodore M., ”Before Rikyū. Religious and Aesthetic Influences in the Early History of the Tea Ceremony”, i Monumenta Nipponica, Vol. 34 No. 4, 1979, pp. 367-390.

Ludwig, Theodore M., ”The Way of Tea. A Religious-Aesthetic Mode of Life”, i History of Religions, Vol. 14, 1974, pp. 28-50.

Moeran, Brian, Folk Art Potters of Japan. Beyond an Anthropology of Aesthetics, Richmond: Curzon, 1997.

Myung Whan Kim, ”Zenchiku’s Philosophy of Wheels and the Yeatsian Parallel”, i Literature East and West, Vol. 15-17, 1971-72, pp. 647-61.

Nagatomo, Shigenori, ”Zeami’s Conception of Freedom”, i Philosophy East and West, Vol. 31 No. 4, 1981, pp. 401-416.

Nearman, Mark J., ”Zeami’s Kyūi. A Pedagogical Guide for Teachers of Acting”, i Monumenta Nipponica, Vol. 33 No. 3, 1978, pp. 299-332.

Nishibe, Bunjō, ”Zen Monks and the Formation of the Way of Tea”, Transl. by Kimiko Hirota, i Chanoyu Quarterly, No. 28, 1981, pp. 7-46.

Nishibe, Bunjō, ”Zen Priests and their Concepts of Tea”, Transl. by Kimiko Hirota, i Chanoyu Quarterly, No. 13, 1976, pp. 14-26.

Nitschke, Günter, Japanese Gardens. Right Angel and Natural Form, Köln og London: Taschen, 1999.

Nobori, Asaji, ”Zenchiku’s Philosophy of Noh Drama”, i Hiroshima Bunkyō Joshi Daigaku Kenkyo Kiyō, Vol. 1, 1966, pp. 24-37.

Nørretranders, Tor, Mærk Verden. En beretning om bevidsthed. København, Gyldendal, 1991.

Ortolani, Benito, ”Zeami’s Aesthetics of the No and Audience Participation”, i Educational Theatre Journal, Vol. 24, 1972, pp. 109-117.

Otake, Masaru Victor, A Study of Japanese Taste with an Observation Concerning Furyu and the Structure of Iki by Kuki Shuzo, Ann Arbor: University Microfilms, 1956.

Pallis, Tim, Zen. Træning og Tradition, København: Borgen, 1990.

Pilgrim, Richard B., ”Consideration of Yūgen and Sabi as Religio-Aesthetic Categories”, i Journal of Asian Affairs, Vol. 3 No. 1, 1978, pp. 68-82.

Pilgrim, Richard B., ”Foundations for a Religio-Aesthetic Tradition in Japan”, i D. Apostolos-Cappadona (red.), i Art, Creativity, and the Sacred, New York: Crossroad, 1984.

Pilgrim, Richard B., ”Intervals (Ma) in Space and Time: Foundations for a Religio-Aesthetic Paradigm in Japan”, i History of Religions, Feb., 1986, pp. 255-277.

Pilgrim, Richard B., ”Ma: A Cultural Paradigm”, i Chanoyu Quarterly, No. 46, 1986, pp. 32-53.

Pilgrim, Richard B., ”Six Circles, One Dewdrop. The Religio-Aesthetic of Komparu Zenchiku”, i Chanoyu Quarterly, No. 33, 1983, pp. 7-23.

Pilgrim, Richard B., ”Some Aspects of Kokoro in Zeami”, i Monumenta Nipponica, Vol. 24, 1969, pp. 393-401.

Pilgrim, Richard B., ”The Artistic Way and the Religio-Aesthetic tradition in Japan”, i Philosophy East and West, Vol. 27 No. 3, 1977, pp. 285-305.

Pilgrim, Richard B., ”The Arts of Ma: Religio-Aesthetic Values and Cultural Identity in Japan”, i Identity Issues and World Religions, 15th Congress of The

International Association for the History of Religions, Sydney: Sydney University, 1985, pp. 182-193.

Pind, Ole Holten, Buddhismen. Tekster fra Theravada-Traditionen, udvalgt og oversat, Viborg: Systime Academic 2005.

Plutschow, Herbert, Rediscovering Rikyū and the Beginnings of the Japanese Tea Ceremony, Folkstone: Global Oriental Press, 2003.

Richie, Donald, A Tractate on Japanese Aesthetics, Berkley California: Stone Bridge Press, 2007

Ross, Nancy Wilson (red.), The World of Zen. An East-West Anthology, New York: Vintage Books, 1960.

Seckel, Dietrich, Buddhist Art of East Asia, Transl. Ulrich Mammitzsch, Bellingham: Center for East Asian Studies, Western Washington University, 1989.

Sen XV, Soshitsu, Tea life, Tea Mind, Transl. and Published for The Urasenke Foundation, New York: Weatherhill, 1979.

Seo, Audrey Yoshiko, Addiss, Stephen, Matthew Welch, The Art of Twentieth Century Zen. Paintings and Calligraphy by Japanese Masters. Boston: Shambhala, 1998.

Shibayama, Zenkei, ”One-Word Gates: Ro, Kan, Jaku, Kan”, Transl. by Gaynor Sekimori, i Chanoyu Quarterly, No. 50, 1987, pp. 7-22.

Sieffert, René, Zeami. Den hemmelige tradition i nô, oversat af Martin Berg, Holstebro: Odin Teatrets Forlag, 1971.

Stephensen, Magnus og Stephensen, Snorre, Brugsting fra Japan, København: Arkitekstens Forlag, 1969.

Sugimura, Tsune, Ogawa, Masataka, The Enduring Crafts of Japan. 33 Living National Treasures, New York: Walker/Weatherhill, 1968.

Suzuki, Daisetz T, Zen and Japanese Culture, Bollingen Series LXIV, New York: Princeton University Press, 1970.

Tanahashi, Katzuaki (red.), Moon in a Dewdrop. Writings of Zen Master Doogen (Heri. Instructions for the Tenzo = Tenzo Kyookun), New York: North Point Press, 1995.

Tanikawa, Tetsuzo, ”The Esthetics of Chanoyu, Part 1”, i Chanoyu Quarterly, No. 23, 1980, pp. 37-47.

Tanikawa, Tetsuzo, ”The Esthetics of Chanoyu, Part 2”, i Chanoyu Quarterly, No. 25, 1980, pp. 7-21.

Tanikawa, Tetsuzo, ”The Esthetics of Chanoyu, Part 3”, i Chanoyu Quarterly, No. 26, 1981, pp. 33-49.

Tanikawa, Tetsuzo, ”The Esthetics of Chanoyu, Part 4”, i Chanoyu Quarterly, No. 27, 1981, pp. 35-50.

Tazawa, Yutaka (red.), Biographical Dictionary of Japanese Art. Tokyo: ISEI and Kodansha International, 1981.

Thomsen, Sys, Forunderlige Skønhed – Vandring i Japansk Hverdagskunst. Om Yanagi Sōetsu og 4 af hans essays, København: Borgen 1986.

Toyama Shigehiko: Some Thoughts on Shibusa, i Japan Quarterly, pp. 498-501.

Tsubaki, Andrew T., ”Zeami and the Transition of the Concept of Yūgen: A Note on Japanese Aesthetics”, i The Journal of Aesthetics, Vol. 30, 1971-72, pp. 55-67.

Tsubaki, Andrew Takahisa, An Analysis and Interpretation of Zeami’s Concept of Yūgen, Ann Arbor: University Microfilms, 1967.

Tsutsui, Hiroichi, ”The History of the Kaiseki Meal”, Transl. by Gretchen Mittwer, i Chanoyu Quarterly, No. 78, 1994, pp. 7-46.

Udstillingskatalog ”ma” – tid och rum i Japan, Stockholm: Kulturhuset 20 sept. 1980 – 11 jan. 1981.

Ueda, Shizuteru, ”The Zen Buddhist Experience of the Truly Beautiful”, Transl. by John C. Maraldo, i The Eastern Buddhist, New Series, Vol. 22 No. 1, 1989, pp. 1-36.

Varley H. Paul and Elison, George, ”The Culture of Tea: From Its Origins to Sen no Rikyū”, i George Elison, Bardwell L. Smith (red.), Warlords, Artists, and Commoners: Japan in the Sixteenth Century, Honolulu: University Press of Hawaii, 1981, pp. 187-222.

Varley, Paul, and Kumakura, Isao (red.), Tea in Japan: Essays on the History of Chanoyu, Honolulu: University of Hawaii Press, 1989.

Yanagi, Sōetsu, ”The Dharma Gate of Beauty”, i The Eastern Buddhist, New Series, Vol. 12 No. 2, 1979, pp. 1-21.

Yanagi, Sōetsu, The Unknown Craftsman. A Japanese Insight into Beauty, Adapted by Bernard Leach, Foreword by Shōji Hamada, Tokyo: Kodansha International, 1972.

Yanagida, Seizan, ”Japanese Zen and the Turning of the Seasons”, Transl. by Dennis Hirota, i Chanoyu Quarterly, No. 55, 1988, pp. 13-31.